My series of field tests of the new Sennheiser MKH 8030 fig 8 (which kicked off with initial tests, moved on to mid-side recording, encompassed field recording, included comparison with the MKH 30, and most recently included use in a native B-format array) have…
A tale of two MKH 8030 mics, a native B-format array and a pipe band. Part 2: recording.
Introduction In part 1 of the blog posts on recording test sessions with the City of Norwich Pipe Band (a prelude to a CD recording, with the tests focused on establishing whether recording indoors or outdoors is preferable), I covered the rationale and detail…
A tale of two MKH 8030 mics, a native B-format array and a pipe band. Part 1: the mic arrays.
Introduction A happy coincidence of an interesting recording project and the arrival, a few weeks ago, of a second MKH 8030 fig 8 mic from the folks at Sennheiser set me thinking. The recording was to be of the City of Norwich Pipe Band:…
Introduction As a bit of a change from microphones and windshields, I thought there might be a little value in some ramblings on the three recorders I use currently: not so much a review or test of any of them – none of them…
With a pair of the final production versions of the BD-10s in hand, I thought it was high time that I followed up my earlier studio tests of the mics in a Blumlein pair with some field recordings. It’s not often you come across…





