Monthly Archives:

June 2021

Audio Projects Film Projects

Acoustic recording and video – in a summerhouse

June 24, 2021
Relaxed and ready to record: left to right, Richard Poynton, Lucy Grubb and Richard Ward.

As part of the promotion of her new EP, Lucy Grubb was keen to have videos made of acoustic performances of a couple of the tracks, to be made very simply in the summerhouse of her banjo player/guitarist, Richard Ward. This involved just two members of the band, providing backing vocals, guitars and banjo, so quite different from the full band, studio recordings on the EP.

With simplicity being the order of the day, and minimal set-up time, I went for a mid-side pair of SDC mics: the AKG CK94 fig 8 as the side mic and the CK93 hypercardioid as the mid mic, into a Sound Devices MixPre-3 recorder. Just to have an extra option, I also rigged up a third mic – a Rode NT55 with the cardioid capsule – as an alternative mid mic, but this really wasn’t the right polar pattern: the main challenges were the balance of the three performers (with a focus on Lucy’s lead vocal) and the difficult acoustic of the fairly narrow untreated summerhouse, all while trying to have a visually unintrusive set up. With hindsight, and given that birdsong is clear in the recordings anyway (in part due to the open doors behind the camera view in the photo above), I think I’d have preferred to record outside under the gazebo you can see in the background: but the band were warmed up and ready to go and, besides, the free-range chickens might have been more challenging still…

On the video side, I simply ran three Lumix cameras: a G9 close to hand on a fluid-head tripod so that I could move it as necessary, and a pair of GX80s on static tripods. Very basic, but it gives the two videos a bit more interest than a single static shot, without stretching the one-man audio recording and filming too far. We did two takes of the first song and three of the second, selecting the best in each case: there was no audio editing at all (processing was limited to a bit of compression and a little reverb), and the video editing was simple too (with colours left as straight off the cameras).

Mid-side recording, with the CK94 (centre in the photo) and CK93 (bottom): the NT55 cardioid mic (top) was not used. Incidentally, you can see the lower profile of the old-style Rycote back-to-back clips (between the bottom two mics) vs the clunkier newer-style clips (between the top two mics) with the wider spacing this brings.
And here’s the video/recording of one of the songs, ‘Waste My Time’.

Film Projects

A second music video for Lucy Grubb

June 18, 2021
Lucy making friends with Annie the shire horse.

After the fun with You Don’t Do Anything, it was great to be invited by Lucy Grubb to make a second music video – in this case for another of the four songs on her recent EP. This time the song was the more reflective title track – Waste My Time. And for this video, it was to feature Lucy only rather than the full band and to be filmed in rural Norfolk locations. With the May weather being such a washout, my plans for a few evening shoots – catching the wonderful light of the ‘golden hour’ before sunset – bit the dust, and we had to film everything in the harsh sunlight on the last Sunday of the month so as to have the video ready for release a week after the EP. After a brief visit to Stiffkey marshes – where the mud and half-filled creeks threatened Lucy’s outfit – we moved on to the rather implausibly located Iron Age hillfort at Warham (with its ramparts and solitary holm oak tree), then blooming oilseed rape fields, the stable and paddocks of a friend (to meet up with the star of the video – Annie the shire horse), and, finally, Swanton Novers Wood. Things went pretty smoothly, even – in spite of Fields’s warning to never work with children or animals – the shire horse session: Annie is a gentle giant and seemed unruffled by this being Lucy’s first time up close to a horse.

Filming involved a simple equipment list: a Lumix G9 with both the Meike T2 cinema lens and the Leica Lumix 12-60mm (the latter for shots with the gimbal – the Zhiyun Crane v2); and a drone for the intro and outro shots (using the diminutive DJI Mavic Mini). To keep things simple, I avoided lip syncing for the drone shots, but the rest was synced – as before – with the pre-recorded track played back through a Bluetooth speaker. Again, I edited in Vegas, giving it a fairly heavy grade to match the previous video: well insofar as possible given the very different weather and light.

You can play the song on Spotify and here’s the finished video: