Introduction I’m not one normally obsessed by small sound recording kit, as my development of over-sized TIG-welded windshields attests. But just occasionally, I fancy some sound-recording kit that is ultra-compact and by that I mean even smaller than my Radius Windshields Mini-ALTO 115 and…
Introduction In my first blog post on the new Sennheiser MKH 8018 stereo shotgun I concentrated on a short review of the salient specs and then on tests considering the basics (self-noise, susceptibility to RFI, handling noise and wind noise) and its use in…
Dual-ADC and 32-bit float tests with the Tascam FR-AV2 (with comparisons to the Sound Devices 24-bit MixPre-3 and 788T)
Introduction Before getting into the blog post proper, I should point out that it comes with two caveats! First, I should clarify that this isn’t a full review of the Tascam FR-AV2 recorder: rather, it is a tale of dipping a toe in the…
Do we see eye to eyelet on the ideal field recording bag? A case (or bag) of minor butchery.
Bags for audio location recording are made a plenty, for all sorts of sizes of mixer/recorders and ancillary gear. But they have one thing in common: they are all geared for production sound or similar use. I’ve had several over the years, and just…
Introduction The MKH 418-S stereo shotgun mic was introduced in 2003, creating – by addition of a fig 8 capsule – what was essentially a mid-side (MS) version of the popular mono MKH 416 shotgun mic. The new MKH 8018 does something similar for…





