With a pair of the final production versions of the BD-10s in hand, I thought it was high time that I followed up my earlier studio tests of the mics in a Blumlein pair with some field recordings. It’s not often you come across…
Back when I was testing the Rycote BD-10 production version fig 8 mics with a Blumlein recording of Lucy Grubb’s band, my ageing eyes struggled rather with aligning the two black mics end-to-end at ninety degrees: what should have taken a couple of seconds…
This is turning into something of a marathon, with the latest installment of the Sennheiser MKH 8030 fig 8 mic tests comprising a comparison with its older MKH counterpart: the MKH 30. The latter was introduced back in 1987 and is still in production:…
Vivid Audio Kaya S12 as nearfield studio monitors – with an interview with designer Laurence Dickie
A few months ago I started to think about upgrading my nearfield studio monitors. I’d been using Tannoy Gold 5 speakers for a couple of years and though the coaxial drivers gave a nice stereo image, bass was inevitably lacking and there was something…
Introduction Part 2 of the Sennheiser MKH 8030 (fig 8) tests involved recording a bluegrass band with a mid-side set-up, focused on the Sennheiser MKH 8040 (cardioid) and MKH 8030 pair, but including the Rycote BD-10 (fig 8) and CA-08 (cardioid) mics. For the…